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VIRTUAL EXHIBITION
"CONTEMPORARY JAPANESE CRAFTS"

Hall 5

Kobayashi Hideo (born 1951). Vessel with black lines. 1996. CeramicDeformation. The Beauty of Unevenness
Another important characteristic of Japanese crafts is the intentional introduction of deformation in the creation of bowls and the like. By destroying perfect shapes such as circles or squares, a form is revealed in which the beauty hidden behind the perfect, the beauty that cannot be breached through reason, is apparent. In this way a special Japanese artistic insight, which is not accessible via rational thought of the Western type, is expressed. Deformation as an expression of beauty can often be seen in tea utensils. Nowadays, however, such expression is not limited to tea utensils. More general displays of deformation can be found in crafts created as a means of self-expression by the artist.

 

Yamada Kazu (1954~)
Water jar, Iga ware;
ceramic. 1995
Masuda Yoshinori (1934~)
“Glass Boundary”;
glass. 1993
Mitamura Arisumi (1949~)
“Faraway Stars”; wood,
lacquer, shell, powdered
gold, silver. 1990

 

Kofushiwaki Tsukasa (1961~)
“Descending Moon II”;
wood, lacquer, fabric.
1994
Sato Kazuhiko (1947 ~)
Grey ceramic with white linear
design. 1992
Takiguchi Kazuo (1953 ~)
“Untitled”; ceramic. 1995

 

 

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