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VIRTUAL EXHIBITION
"CONTEMPORARY JAPANESE CRAFTS"

Hall 1

Ostentation. The Use of Ostentatious Colors, Gold, and Silver
One major characteristic of Japanese art is the use of ostentatious colors as well as gold and silver. It is not that gold and silver are simply used in large quantities. Rather, they are employed in a variety of special techniques, such as the application of gold or silver leaf, the sprinkling of gold or silver dust, and the inlaying of lines of gold or silver. Instead of using metal as the basic material, metal is understood and used as one among many colors. Also, in many cases gold or silver are used together with other hues, such as vermilion, soft, deep greens, or orange, to make unique and beautiful combinations. This is an example of Japanese color sensibility, and it can also be seen in Yamato-e paintings. These colors are sometimes used independently and sometimes together wit other hues. Though they are ostentatious, the intent is not simply to express the raw power of the gold and silver elements. Rather there is a depth that suggests softness and gentleness.

Yoshida Minori (1932~)
Ornamental plate with clematis
design in gold underglaze;
porcelain. 1992
Kurosawa Chiharu (1949~)
Box with leaf design in silver
and shell inlay. 1995
Ito Hokuto (1961 ~)
“Dream of a Butterfly”, porcelain
box in overglaze enamels and
decorated with gold
and silver. 1995

 

Fujita Jun (1951~)
”Sprout”; glass. 1994
Ichishima Ogyo (1958~)
“Flash”, octagonal box; lacguer,
powdered gold, powdered
silver, shell. 1996
Matsuda Yuriko (1943~)
Pot, demitasse cups and
saucers; porcelain. 1992

 

 

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